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Miss Nine

The night after our interview at the Perry Hotel in South Beach, Kristen Schrot invited me to watch her perform at SET Miami as Miss Nine. She texts me to meet up with her in front of the club around 2 am, just before her playing time. Waiting for me in a sleeveless black T-shirt, denim cut-offs and big red boots (an original design by her friend, international fashion model Evelyne Verpaalen), Kristin is dazzling beyond words.

“Ready?” she asks with a grin, and whisks me and my friends past the red velvet rope into the club and onto the DJ stage where fellow DJ and model Tatiana Fontes is wrapping up her set. 

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Although artists and listeners alike have dubbed it a dying genre, pure drum and bass, I’ve found, is far from dead. You just have to know where to look.

In the city of Philadelphia, Mike Harrington is hard at work producing his own breed of D’n’B. His listeners know him better as Structure. Entirely self-taught, Structure has been producing drum and bass since 1996, although his passion for the music began in 1991, when he spent a year studying abroad in Germany.


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If you come to Infusion Hookah Bar and Lounge on a Monday night, expect to hear a different kind of musical set. Mondays belong to Pillager—you’ll recognize the name if you’ve ever heard him spin at Basscamp on Thursdays at the Vault.

Having already experienced Basscamp, I was expecting the same kind of high-energy, fist-pounding electro and dub step. Pillager—known as Eric Olsen by his familiars—surprised me with a set that alternated from haunting atmospheric trance to hard and sexy reggae dub so smoothly that I didn’t even realize the transitions taking place.


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